The building process for Kodak Portra 160VC film profile

On the right you can see three printed targets — underexposed, normal and overexposed Kodak Portra 160VC film. They are printed manually directly from negatives in the darkroom using optical enlarger with color head and wet processing RA4.

On the left you can see 14 (in this case) test prints – made to achieve needed white balance and exposure. Each sample is developed, bleached, washed and dried for total of 4:20 min in RA4 paper processor.

Afterwards each print is measured with a spectrophotometer. Depending on results we add color head and exposure time corrections for the next sample.

Final prints have been scanned in a special way. With these prints we built a new mLUT film profile for Dehancer using our non-linear mathematic methods.

Ambrotype multi-LUT profile creation process

A couple pictures taken during ambrotype profile creation process. Emulsion watering, shooting and the developing by Anatole Green.

We’ve took 3 negative pictures on glass plates — normal, under and over exposure. After that have scanned them on velvet background as positive and made mLUT (multi-LUT) profile using our non-linear mathematics. How it works in Dehancer you can see on example below.

Those hues are natural as it is, without desaturation or colorize post-processing. In reality, the underexposed ambrotype also looks like a bronze-green, and the overexposure is more yellow.

All you need for building color multi-LUT film profiles

1. Color Target
2. Exposured with reference light and developed film
3. Photo enlarger with color head
4. Lens kit for analogue printing
5. Сolor analyzer
6. RA-4 developing processor (behind the scenes)
7. Macbook Pro
8. Spectrophotometer
9. Calibrated scaner (behind the scenes) for hand-made prints
10. Your own software for building profiles with nonlinear image processing (behind the scenes)
11. Some vodka of course